Despite the aperture, it’s impossible to have enough depth of field. Let’s say when you include the pebbles on the beach shore a few feet away from you and you want the mountains in the background to be sharp as well. This happens when in landscape photography the closest focal point is very far from the one in the further back. Despite the fact you’re capturing a big subject, sometimes it’s also impossible to get it completely in focus. On the opposite side of the photographic spectrum, focus stacking is used in landscape photography. ![]() This is because you need to have the subject tack sharp so that potential clients can see every detail. It’s also common to use focus stacking in product photography – especially if the product is small like jewelry. Since the close distance to the subject offers a narrow depth of field even when you use the narrowest aperture of your lens. What is an example of focus stacking?įocus stacking is very common in macro photography – for example, photographing a water drop on a leaf. I’ll explain the process in more detail further on. ![]() Then, load them into post-processing software, and the final stacked image will be fully sharp. Simply take multiple images with different focus planes. Whichever the case, focus stacking in photography allows you to have a sharp image regardless of the depth of field you are able to achieve in-camera. In this case, it’s not about having multiple elements in focus – it’s necessary just to have the main subject fully sharp. However, it’s also popular in macro photography because it has a very shallow depth of field. Most landscape scenes use focus stacking to achieve a sharp image. ![]() This very useful technique lets you create images where the most distant background element is as sharp as the nearest foreground element. Let’s explain this in more detail.įocus stacking in photography refers to a post-processing method that allows you to achieve sharp focus throughout the scene by blending images. In short, if you can’t get everything in focus in one image, then you take more images. You can solve any of these problems by using focus stacking. Perhaps, you can’t even use a narrow aperture because of the light conditions. Maybe, you’ve encountered situations when even the narrowest aperture doesn’t give you enough depth of field. You’ve probably noticed that closing the aperture to its narrower setting gets you a deeper depth of field, but it doesn’t really offer a very sharp image.
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